The Nikon Z 8 and FUJIFILM X-H2 are both high-resolution, video-capable bodies with 8K recording, but they come from different formats: a 45.7 MP full-frame stacked sensor against a 40.2 MP APS-C back-illuminated sensor.
Fujifilm figures come from Fujifilm Australia's product page, re-read on 2026-11-02. Nikon figures come from Nikon USA's official page, which blocked automated access today and could not be re-checked.
Key differences at a glance
- Format: full frame (Nikon) against APS-C (Fujifilm), at similar pixel counts.
- Video recording: 12-bit N-RAW and ProRes RAW HQ to 4K/60p internally on the Z 8; 8K/30p 10-bit, ProRes 422 internally and 12-bit RAW over HDMI on the X-H2.
- Shutter: electronic-only on the Z 8 (to 1/32,000 s); mechanical plus electronic to 1/180,000 s on the X-H2.
- Viewfinder: about 3.69 million dots (Z 8) against 5.76 million dots (X-H2).
- Price on page: $3,299.95 for the Z 8 when compiled; the X-H2 page shows no price.
Specification comparison
| Feature | Nikon Z 8 | FUJIFILM X-H2 |
|---|---|---|
| Sensor | 45.7 MP stacked CMOS, full-frame | 40.2 MP BSI X-Trans CMOS 5 HR, APS-C |
| 8K video | Yes; frame-rate statements conflict on the page | 8K/30p 4:2:2 10-bit internal |
| RAW/ProRes video | 12-bit N-RAW; ProRes RAW HQ to 4K/60p | ProRes 422 HQ/422/LT internal; 12-bit RAW via HDMI |
| Stabilisation | 5.5 stops (6.0 with Synchro VR) | Up to 7 stops |
| Shutter | Electronic only, to 1/32,000 s | Electronic to 1/180,000 s; mechanical durability 500,000 actuations |
| Viewfinder | ~3.69M dots, 0.8×, 120 fps | 5.76M dots, 0.8×, ~120 fps |
| Cards | CFexpress Type B/XQD + SD | CFexpress Type B + SD |
| Weather sealing | 'Premium Weather Sealing' (no rating) | 79 sealed points; −10 °C |
| Price on page | $3,299.95 | Not shown |
Shaded cells mean the cited sources did not state the value. We do not fill gaps from memory.
Format and resolution
At 45.7 and 40.2 MP, both cameras resolve fine detail. The format difference changes lens choices and depth of field: an APS-C body needs a shorter focal length for the same framing, and full frame makes very shallow depth of field easier. Neither source gives noise or dynamic-range measurements, and we do not infer them.
Video workflows
These cameras suit different post-production pipelines. The Z 8's internal 12-bit N-RAW and ProRes RAW suit productions that grade heavily and can manage raw files. The X-H2 records ProRes 422 HQ, 422 and LT internally, which many editing systems handle directly, and its 8K/30p 10-bit mode can be downsampled for 4K delivery. Its RAW output requires an external Atomos or Blackmagic recorder. Nikon's page conflicts on 8K frame rates, so we do not compare 8K speeds.
Stabilisation, shutter and handling
Fujifilm rates the X-H2's stabilisation at up to 7 stops with a specified lens; Nikon rates the Z 8 at 5.5 stops, or 6.0 with Synchro VR lenses. The X-H2 keeps a mechanical shutter rated for 500,000 actuations in Fujifilm testing, while the Z 8 has none. The X-H2's higher-resolution viewfinder and top LCD are useful on set. Nikon describes the Z 8's sealing as premium without a rating; Fujifilm lists 79 sealed points.
System and cost
Both use CFexpress Type B plus SD. The decision usually comes down to system: full-frame Z-mount lenses against APS-C X-mount lenses, which are often smaller for a given framing. The X-H2 page omits burst, battery and weight, so compare those in Fujifilm's full specifications before deciding.
Strengths and limitations
Nikon Z 8
Strengths
- Full-frame sensor and a stated 493 AF points.
- Ethernet via USB-C adapter; stacked sensor.
Limitations
- No mechanical shutter; no full-body weight data on the Fujifilm page for comparison.
FUJIFILM X-H2
Strengths
- Higher-resolution EVF and a stated 7-stop IBIS.
- Unusually specific video list (ProRes tiers, HDMI RAW).
Limitations
- APS-C sensor; burst, battery and weight not stated on the cited page.
Pricing not verified
Prices change and vary by region and retailer, so none is shown. Check the manufacturer or a current retailer.
Which should you choose?
- Full-frame 8K and AF subject detection: Nikon Z 8 — 493 AF points and full-frame sensor
- APS-C 8K with ProRes: FUJIFILM X-H2 — ProRes tiers and HDMI RAW options
Our verdict
Both are serious video-capable stills cameras. The Z 8 is the full-frame choice; the X-H2 is the lighter-on-paper APS-C alternative with a high-resolution EVF and detailed ProRes options. Check lens costs and size in your system.
Frequently asked questions
Which records 8K internally?
Both list 8K. Fujifilm states 8K/30p 4:2:2 10-bit internal recording. Nikon's page lists 8K but conflicts on frame rates.
Does the X-H2 shoot RAW video internally?
Not according to the cited page: 12-bit RAW is output over HDMI to an external Atomos or Blackmagic recorder, recorded as ProRes RAW or Blackmagic RAW.
Which is better for full-frame shallow depth of field?
The Z 8, by format. The X-H2 is APS-C, so the same framing and aperture give a deeper depth of field.
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How this was checked
Specifications compiled on 2026-11-02 from the sources below. Part of the cited evidence was re-checked on 2026-11-02; see the notes below.
Fujifilm values re-read and matched on 2026-11-02. Nikon values not re-checked (Nikon USA blocked automated access).
Disclosure: AYORAHUB did not hands-on test these products or services. Nothing on this page is a lab measurement, benchmark or review score; analysis explains what the cited specifications mean in practice.
- The Fujifilm page omits burst, battery, weight and price.
- Nikon page conflicts on 8K frame rates.
Sources
- Nikon Z 8 – Overview and specifications — Nikon USA (manufacturer/official)
- FUJIFILM X-H2 – Product page — FUJIFILM X Australia (manufacturer/official)
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